The cutting was a bit much too rushed, I would personally have picked out to have much less scenes but a couple of seconds longer--if they had to keep it under those jiffy.
The Altman-esque ensemble method of developing a story around a particular event (in this case, the last working day of high school) had been done before, but not quite like this. There was a great deal of ’70s nostalgia during the ’90s, but Linklater’s “Slacker” followup is more than just a stylistic homage; the enormous cast of characters are made to feel so acquainted that audiences are essentially just hanging out with them for a hundred minutes.
“Jackie Brown” could possibly be considerably less bloody and slightly less quotable than Tarantino’s other nineties output, but it surely makes up for that by nailing every one of the little things that he does so well. The clever casting, flawless soundtrack, and wall-to-wall intertextuality showed that the same man who delivered “Reservoir Canine” and “Pulp Fiction” was still lurking behind the camera.
The terror of “the footage” derived from watching the almost pathologically ambitious Heather (Heather Donahue) begin to deteriorate as she and her and her crew members Josh (Joshua Leonard) and Mike (Michael C. Williams) get lost within the forest. Our disbelief was correctly suppressed by a DYI aesthetic that interspersed lower-quality video with 16mm testimonials, each giving validity for the nonfiction concept in their own way.
Manufactured in 1994, but taking place on the eve of Y2K, the film – set in an apocalyptic Los Angeles – is really a clear commentary around the police assault of Rodney King, and a reflection around the days when the grainy tape played with a loop for white and Black audiences alike. The friction in “Bizarre Days,” however, partly stems from Mace hoping that her white friend, Lenny, will make the right determination, only to check out him continually fail by trying to save his troubled, white ex-girlfriend Faith (Juliette Lewis).
It had been a huge box-office strike that earned eleven Oscar nominations, including Best Picture. Check out these other movies that were books first.
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Most of the thrill focused around the prosthetic nose Oscar winner Nicole Kidman wore to play legendary writer Virginia Woolf, although the film deserves extra credit for handling LGBTQ themes in such a poetic and mostly understated way.
Adapted from the László Krasznahorkai novel in the same name and maintaining the book’s dance-inspired chronology, Béla Tarr’s seven-hour “Sátántangó” tells a Möbius strip-like story about the collapse of a farming collective in post-communist Hungary, news of which inspires a mystical charismatic vulture of a person named Irimiás — played by composer Mihály Vig — to “return from the dead” and prey on the desolation he finds Amongst the desperate and easily manipulated townsfolk.
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, Justin Timberlake beautifully kayatan negotiates the bumpy terrain from disapproval to acceptance to love.
, future Golden Globe winner Josh O’Connor floored critics with his performance as a young gay sheep farmer in Yorkshire, England, who’s battling with his sexuality and budding feelings for a new Romanian migrant laborer.